The Long Player
Tina gets more than she bargained for when selling her mum's old record player. This short drama illustrates the complexities of a life lived beneath the shadows of a loved one's mental health struggles, while coming to terms with the grief of losing said relative.
We are delighted to announce we're back in Development! Come back soon for more updates and crew introductions.
Director: Calvin Duffy
Producer: Natalie Yates
Writer: Benjamin Peel
*Photos from the set of Requires Improvement, June 2024
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Kickstarter: OPEN NOW
We're thrilled to announce that our Kickstarter campaign for The Long Player is live now. Follow the link below to read our Director's statement, check out our list of rewards and learn more about the short.
Support Our Film
The Long Player
A short drama by Benjamin Peel
The Long Player introduces Tina, as she gets more than she bargained for when selling her mum's old record player. This short drama illustrates the complexities of a life lived beneath the shadows of a loved one's mental health struggles, while coming to terms with the grief of losing said relative.
Directed by Calvin Duffy, produced by Natalie Yates and written by Benjamin Peel, the film is a blend of experiences from all over the country, offering work and high quality storytelling to local Sheffield actors and filmmakers.
Produced by Evening Cat Productions, who aim to put women at the front of their stories, as well as utilise the incredible talent and eye for detail in South Yorkshire and Lincolnshire filmmakers.
*Stills from Requires Improvement, 2025*
Where does the money go?
As much as we'd love films to cost £100, costs add up quickly, especially when considering the skill level of our crews, travel fees and feeding teams. We're keeping things pretty local, but it still adds up! So what do we need?
- Wages for cast and crew- even for a small cast and crew, we have to properly compensate! This is our main cost.
- Food- we're not a fan of starving our teams; some of the money raised will ensure our cast/crew aren't hangry
- Post-production costs- believe it or not, post-production costs money. Scrimping late in the process may lose the magic of the production team's hard work.
- Locations and props- for the film to look good, we need to have the luxury of choosing the right location. And we're a big fan of our cast and crew having access to a bathroom. Ever tried to hold in a wee all day?!
As a thank you for supporting our film, we've got a whole list of exciting rewards to choose from, including Exec Producer credits, social media thank you's and invitations to our screening.
Want to donate quietly, without reward? Don't worry, we've got you covered! You can choose to just pledge an amount without the reward.
Director's Statement
Director Calvin Duffy talks all things The Long Player below;
An unrealised or unreconciled relationship (be it between friends, family, or lovers) is like a square of light cast on an interior wall from an unidentifiable, exterior source: it brightens one small part of the room, but puts the rest in deeper shadow. It transfixes the onlooker with a concentrated point - be it certain past memories, unshakeable feelings of loss or anger, or just the incapacity to let go - while preventing them from taking in the details of the wider space before them.
Our film is about breaking out of that fixation. On one side, Tina always imagined her absent father as a monster, shrouded in the cruelty of his absence, but when suddenly confronted with his presence in her front room, she's compelled to consider the possibility that he's just another incomplete human, who simply made mistakes: many selfish ones, but some well-intentioned as well. On the other side, Jack has always conceived of himself as the tack-sharp, no-nonsense Good Man, who made the best of everything and never let himself be treated as a fool. Yet when he stands before his daughter who he abandoned, it's impossible for him to cling to both his idea of his own truthfulness, and also his imagined sense of infallibility.
Amidst all this we have our record player. Unlike our modern streaming music apps, which organise our personal soundtracks down to the exact minutes of our annual listening time, vinyl records have an organic randomness: you can drop the needle down wherever you like, and never be entirely sure what you're going to hear - so probably, you listen more intently. The same is true of people: for the most part, you never completely know what the person opposite you is about to say next, which is why you have to listen, even when that's harder than you'd like.
The Long Player is a film about breaking fixed ideas, letting go of false principles of ego, and asking the piece of light in the corner to fill up the whole room. The question is, can Tina and Jack bear the pain of listening more closely?
MEET THE PRODUCTION TEAM
Director
Director
Director
Calvin Duffy
Educated in literature & history, Calvin turned to filmmaking during the Covid-19 pandemic. Recently he’s written and directed “Out of Hours”, produced by Film Locos and Noz Films, a short film reflecting on the impact of the 1980 Denmark Place Fire, and “Wesley the Vampire” a mockumentary made with Noz Films. Other works incl
Calvin Duffy
Educated in literature & history, Calvin turned to filmmaking during the Covid-19 pandemic. Recently he’s written and directed “Out of Hours”, produced by Film Locos and Noz Films, a short film reflecting on the impact of the 1980 Denmark Place Fire, and “Wesley the Vampire” a mockumentary made with Noz Films. Other works include a commission for Amersham Film School, and “Floating” which has been nominated for Best Music Video at Birmingham Film Festival 2025. Again with Noz Films he’s currently developing “Deep Swimmer”, a short film dealing with an aspect of the long-running UK “spy cops” scandal.
Producer
Director
Director
Natalie Yates
An experienced actress, with extensive screen experience, Natalie started producing in 2023. She produced "Messages", written by Benjamin Peel, in 2023, before producing "How to Win Friends and Guinea Pig People" and "Requires Improvement" in 2024, the latter of which is currently on its festival run, with screenings schedule
Natalie Yates
An experienced actress, with extensive screen experience, Natalie started producing in 2023. She produced "Messages", written by Benjamin Peel, in 2023, before producing "How to Win Friends and Guinea Pig People" and "Requires Improvement" in 2024, the latter of which is currently on its festival run, with screenings scheduled. Having featured as an actress in all three films, she's stepping back to primarily produce "The Long Player". Her films have had numerous selections, with Messages winning "Best Styling" at the Weird and Wonderful Festival, 2025. Training includes Intro to Production, NFTS.
Natalie also has a certificate in Mental Health First Aid in the Workplace, is trained to Safeguarding Level 3 (DSL) and Data Protection.
Writer
Director
Writer
Benjamin Peel
Benjamin Peel’s play Not a Game for Girls has received five productions. It was published by Oberon Books in 2018. The Interrogator was performed as part of the New Short Play Festival, John Cullum Theatre at the American Theatre of Actors, New York, 2019. The Long Player featured in Ragged Foil’s second podcast season with T
Benjamin Peel
Benjamin Peel’s play Not a Game for Girls has received five productions. It was published by Oberon Books in 2018. The Interrogator was performed as part of the New Short Play Festival, John Cullum Theatre at the American Theatre of Actors, New York, 2019. The Long Player featured in Ragged Foil’s second podcast season with The Fastest Ever Singer appearing in the same company’s lock down Isolation Sessions.
He wrote the screenplays for the short films The Runner, Silence in the Library and Messages all of which were selected for the Fear in the Fens Festival. Messages has gone onto to receive more laurels and won an award at Make it Write Productions' Weird & Wonderful Festival 2025 in Liverpool.
He has had work published in three anthologies and he has written and self-produced several short audio dramas and monologues. He was shortlisted for the Alpine Fellowship Theatre Prize in 2023.
More about Benjamin Peel here; https://benjaminpeelwriter.wordpress.com
DOP
Director
Writer
Daniel Llobera
A graduate of MA Film Production at Bournemouth Film School and mentored by Witold Stok BSC, Daniel Llobera is an award winning UK based Cinematographer working between narrative features & shorts, commercials and music videos.
Having lensed seven feature films, Daniel has also shot over 50 shorts and commercials. Some of Da
Daniel Llobera
A graduate of MA Film Production at Bournemouth Film School and mentored by Witold Stok BSC, Daniel Llobera is an award winning UK based Cinematographer working between narrative features & shorts, commercials and music videos.
Having lensed seven feature films, Daniel has also shot over 50 shorts and commercials. Some of Daniel's most recent work includes "Chimera" with Academy Award Winning Producer Julie Foy (The Silent Child) and director Neil Mcenery - West (Containment). He also lensed "Forgotten Word", an official selection at the BAFTA qualifying British Urban Film Festival. Feature film "Reputation" was nominated for " Best Independent film" at the UK film awards 2025. Daniel has also shot at the Formula One Monaco Grand Prix and London Fashion Week AW/24 and SS/25.
Daniel has worked extensively with stunts and is well versed in capturing action for camera. 2024 feature "Norse Game" featured over 20 stunt performers and included several one take action sequence, high falls and burns.
He holds the award "Best In Show" awarded by the British Journal Of Photography for his still images at the exhibition "Free Range" in 2013 as well as a multitude of "Best Cinematography" awards from independent film festivals around the world.
1st Assistant director
1st Assistant director
1st Assistant director
Mira El Bacha
Mira El Bacha has been deeply passionate about film since childhood, and moved to London to study and make films. She graduated with a BA from UAL in Film Practice, during which she became fascinated by the AD department. Currently she’s undertaking her MA in Assistant Directing at NFTS.
She’s worked on a range of projects as
Mira El Bacha
Mira El Bacha has been deeply passionate about film since childhood, and moved to London to study and make films. She graduated with a BA from UAL in Film Practice, during which she became fascinated by the AD department. Currently she’s undertaking her MA in Assistant Directing at NFTS.
She’s worked on a range of projects as 1st/2nd/3rd AD. Independent shorts have included Get Out Breathing, which won 34 awards on the festival circuit, The Barn, and The Surrogate, as well as larger projects funded by the Roundhouse and Prime. She’s also worked on music videos in the UK and abroad, with artists like Shelf Lives. Recently she was 1st AD for Out of Hours, also directed by Calvin, our director for The Long Player.
Coming Soon
1st Assistant director
1st Assistant director
Come Back Soon
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